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- W2892224250 abstract "The chapter examines the ways artists and directors have staged <italic>Breath</italic>. The “stagings” or “displays” of the playlet are examined in an attempt to show how artists and directors have responded to <italic>Breath</italic>'s intermedial structure. The presence of the human body in certain of these works, is in contrast to Beckett's central decision to eradicate the body/subject from the stage. Consequently, these art works disregard (fail to see) the existential and ontological importance of Beckett's decision to eradicate the figure of the performer by presenting the “absence” of the human subject." @default.
- W2892224250 created "2018-09-27" @default.
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- W2892224250 date "2018-03-01" @default.
- W2892224250 modified "2023-09-27" @default.
- W2892224250 title "Shortness of Breath: Beckett’s Breath in Context" @default.
- W2892224250 doi "https://doi.org/10.3366/edinburgh/9781474421645.003.0004" @default.
- W2892224250 hasPublicationYear "2018" @default.
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