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- W2892612781 abstract "Following Melvin Richter’s understanding of the Geschichtliche Grundbegriffe methodology, this article aims at studying spheres as cultural concepts. Throughout history, spheres have allegorically represented divinity (Christian or pagan), and at the same time incorporated a scientific discourse related not only to modernity but also to subalternity and civic awareness. During the Hispanic Enlightenment, artistic discourse utilizing spheres represented Machiavellian moments (J. G. A. Pocock) as a response to an inherited imperial politics and iconography that passed from the Roman emperors to the Habsburgs and beyond. Among pieces considered are the anonymous paintings from the Virgen of Potosi, Fernando VI, rey de España included in the Conclusiones Mathematicas (1758) by Don Fernando de Araya, as well as Aspecto Symbólico del Mundo Hispánico by Vicente de Memije, included in Theses Matemáticas (1761)." @default.
- W2892612781 created "2018-10-05" @default.
- W2892612781 creator A5067584273 @default.
- W2892612781 date "2018-01-01" @default.
- W2892612781 modified "2023-10-17" @default.
- W2892612781 title "Globus cruciger: Spheres and Empires in the Hispanic Enlightenment" @default.
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- W2892612781 doi "https://doi.org/10.1353/ecy.2018.0010" @default.
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