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- W2892635238 abstract "This chapter examines the historical, cultural, industrial, and technological contexts of stylistic remediation between comics and film. It traces the evolution of these various contexts in relation to remediation of style by focusing on three film cycles that span from the blockbuster period that began with <italic>Jaws</italic> in 1975 to the contemporary period. These cycles are exemplified by the <italic>Superman</italic> films of the 1970s and 1980s, the <italic>Batman</italic> films of the 1980s and 1990s, and what Bob Rehak has defined as the high fidelity adaptations of the late 1990s and early 2000s. The chapter first provides a brief contextual history of comic books, film, and television before the blockbusters (1934–1968) before discussing the three cycles: Superman cycle (1978–1987), Batman cycle (1989–1997), and high-fidelity cycle (2000–2013). It shows that, during the Superman cycle, realism was essentially favored over the more formally flamboyant trajectory of stylistic remediation." @default.
- W2892635238 created "2018-10-05" @default.
- W2892635238 creator A5089237715 @default.
- W2892635238 date "2016-11-28" @default.
- W2892635238 modified "2023-09-27" @default.
- W2892635238 title "Camp, Verisimilitude, Noir, and Neon: The Historical Evolution towards Stylistic Remediation" @default.
- W2892635238 doi "https://doi.org/10.14325/mississippi/9781496809780.003.0003" @default.
- W2892635238 hasPublicationYear "2016" @default.
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