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- W2893946597 abstract "The psychoanalytic trope of unsettlement in American postmodern documentary poetry typically aims to narrate the emotional intractability of historical records into an impasse: a position of emotional unintelligibility designed to interrupt a reader's conventional modes of empathic identification with trauma. However, the affective dimension of this impasse—and its capacity to reconfigure the emotional negotiations required for empathic response—remains largely under-examined. This essay theorizes that impasse by arguing that Charles Reznikoff's documentary poem Holocaust rewrites it as an affective surface on which emotional contracts are unsettled by a textual materiality inflected by affect's somatic touch." @default.
- W2893946597 created "2018-10-05" @default.
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- W2893946597 date "2017-01-01" @default.
- W2893946597 modified "2023-10-17" @default.
- W2893946597 title "The Unsettled Surface of the Document: Seams, Erosion, and After-images in Charles Reznikoff's Holocaust" @default.
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- W2893946597 doi "https://doi.org/10.1353/pmc.2017.0012" @default.
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