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- W2894087189 abstract "Renaissance new historicists have been “ dancing an attitude,” in Kenneth Burke’s phrase, as they probe the delicate semiosis of history, culture, and power. The attitude appears in their most influential gestures, like Stephen Greenblatt’s echo of Kafka-“There is subversion, no end of subversion, only not for us”—which aligns a Renaissance culture saturated with power with a postmodern culture powerless to resist.1 This peculiar identification of a Renaissance moment, when politics and literature were still undifferentiated realms, with postmodern culture, when power is felt to saturate discourse of every kind, helps make the Renaissance the paradigmatic field in current English studies. But the allegory of past and present also makes a number of new historical critics uneasy. When the new historicism “ discloses power” and the postmodern age “ displays and worships power,” Don Wayne observes, “we run the risk of seeing the opposition between these two kinds of unmasking collapse into what will be merely two aspects of a fascination with the same imposing spectacle.”2 The risk lies in making historical criticism a transhistorical echo of the politics of the present." @default.
- W2894087189 created "2018-10-05" @default.
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- W2894087189 date "2013-12-19" @default.
- W2894087189 modified "2023-09-23" @default.
- W2894087189 title "English Romanticism and Cultural Production" @default.
- W2894087189 doi "https://doi.org/10.4324/9781315799995-11" @default.
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