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- W2894673757 abstract "Presentism is defined by the Oxford English Dictionary as the tendency to interpret past events from a present-day perspective. Translated into the field of literary criticism, presentism means studying past works according to current values and parameters which do not match, in the majority of cases, those prevailing at the time these texts were published. The concept of presentism, though not excessively extended, seems to have gained popularity during these past years, thanks, for the most part, to academics Hugh Grady and Terence Hawkes, who in their works manifest the influences upon them exerted by the Frankfurt School and cultural materialism. In Shakespeare, Machiaveli & Montaigne: Power and Subjectivity from Richard II to Hamlet (Grady, 2002); and Shakespeare in the Present (Hawkes, 2002) both theoreticians lay the foundations of presentism, which they consider a school of literary criticism arising as a response to the new historicist approaches and the impact of cultural materialism and new formalism in the field of theory during the 1980’s, though not necessarily in direct opposition. Presentism is thus based on the premise that it is impossible to study the past from a perspective other than the current one, and that any analysis of a past work must be carried out with a focus unavoidably framed and delimited by the present. Yet, this dissertation also follows scholars such as Cary DiPietro, who admits that the presentist school is still in an early stage of development and that it requires a more precise definition, perhaps linking to theories of aesthetic materialism..." @default.
- W2894673757 created "2018-10-12" @default.
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- W2894673757 date "2017-06-12" @default.
- W2894673757 modified "2023-09-28" @default.
- W2894673757 title "Paradigms of postmodern presentism: towards the Chicana decolonization of the imaginary" @default.
- W2894673757 hasPublicationYear "2017" @default.
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