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- W2894942040 abstract "This chapter examines Joseph Gaï Ramaka's film Karmen Geï (2001) and discusses the particular forms and structures that a Queer African Cinema might practice. Following the work of Eve Kosofsky Sedgwick, this chapter reads and listens for the “open mesh of possibilities” and “excesses of meaning” present within Karmen Geï and made audible through its improvisational Afro-jazz score. Placing the Afro-jazz soundtrack at the center of a queer reading and thinking through the film in relation to black music and fugitivity underscores the modes of solidarity, sociality, and kinship that the film calls forth. This chapter argues that thinking about what a queer African cinema might be or might offer means paying attention to the cinematic form itself and thinking through the power and possibilities of the image and its soundscape." @default.
- W2894942040 created "2018-10-12" @default.
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- W2894942040 date "2018-10-03" @default.
- W2894942040 modified "2023-10-14" @default.
- W2894942040 title "“Outcast Orders” and the Imagining of a Queer African Cinema" @default.
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- W2894942040 doi "https://doi.org/10.1002/9781119100577.ch9" @default.
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