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- W2896699282 abstract "This chapter examines the ways in which graffiti and street art are increasinglyproduced as digital objects, shaped by the architecture of digital platforms andthe aggregated responses of audiences, transmuted into data. This process isneatly captured by the title of a recent exhibition at the Steinberg Museum of Artin New York.1 The ‘From Concrete to Data’ exhibition featured a mix of old schoolgraffiti writers and documenters, street artists and contemporary artists workingacross all media, including many examples of screen-based media influenced bythe aesthetics and practices of graffiti. Taken as a whole, this kind of work chartsthe transformation of graffiti from a form attached to the industrial landscape toone at home in the post-industrial city, one characterized not just by new materialsand new economies – renovated buildings and gentrified neighbourhoods – butone in which graffiti and street art has become a set of mobile aesthetic featuresthat, like the older industries, shift to new physical materials and then begin todematerialize." @default.
- W2896699282 created "2018-10-26" @default.
- W2896699282 creator A5086973185 @default.
- W2896699282 date "2016-12-08" @default.
- W2896699282 modified "2023-09-23" @default.
- W2896699282 title "#Instafame: aesthetics, audiences, data" @default.
- W2896699282 doi "https://doi.org/10.4324/9781315585765-24" @default.
- W2896699282 hasPublicationYear "2016" @default.
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