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- W2897045718 abstract "There has long been a resistance to taking popular culture seriously,first as an object of study and second as a way of spending one’sleisure time. There are still people who will not admit to the secretfetish of watching television soap operas and even more who willwatch and analyse one-off television dramas but not watch a seriesformat. In studying the development of the television crime series inBritain it was startling to find just how many of those amazingdramatists had learned their craft writing for George Dixon, Barlowand Regan in the humble series. However, I do not want to argue fortaking the series seriously simply because of the quality of theproduction, although I think I could, but because of the world theycreate on the small screen for the mass audience. For many peopletheir only contact with a speaking policeman is on the television andthis reinforces the aura of reality which police series strive so hardto construct. I also want to focus on the fictional representationsrather than the documentary and the news images because historicallythese have often been overlooked when the influence of the mediais being debated." @default.
- W2897045718 created "2018-10-26" @default.
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- W2897045718 date "2004-02-24" @default.
- W2897045718 modified "2023-09-27" @default.
- W2897045718 title "‘You’re nicked!’: Television police series and the fictional representation of law and order" @default.
- W2897045718 doi "https://doi.org/10.4324/9780203414811-15" @default.
- W2897045718 hasPublicationYear "2004" @default.
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