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- W2897573141 abstract "This article intends to look at the ways in which three works of art have attempted to deal with the issue of representation and mediation of the refugee crisis. Rather than delving into historical or political discourses surrounding this humanitarian crisis, this article will analyse three works of contemporary art: Fuocoammare (Gianfranco Rosi, 2016), Raft of Lampedusa (Jason deCaires Taylor, 2016) and Incoming (Richard Mosse, 2017) mostly through the spectrum of Jill Bennett’s theory of ‘empathic vision’ and ‘transactive art'. Giorgio Agamben’s notions ‘bare life’ and the ‘Muselmann’ will also be regarded as crucial to an empathic visual engagement with art. These theories have the purpose of injecting new approaches to the idea of ‘breathing through the medium’ as a way of activating representations, and thereby maintaining the meaningfulness of representations of refugees." @default.
- W2897573141 created "2018-10-26" @default.
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- W2897573141 date "2018-10-01" @default.
- W2897573141 modified "2023-09-25" @default.
- W2897573141 title "Breathing Through the Medium: Representations of Refugees in Contemporary Art" @default.
- W2897573141 doi "https://doi.org/10.16995/ddl.685" @default.
- W2897573141 hasPublicationYear "2018" @default.
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