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- W2897875270 abstract "This chapter considers the interplay between medieval Tristan romances and Tristan songs, music closely associated with the romances and indeed attributed to the character Tristan himself. In particular, the chapter looks at Marie de France’s lai ‘Chevrefoil’, and the anonymous thirteenth-century lai ‘Kievrefuel’, which is quite distinct from Marie’s narrative poem but evokes it in some particulars. The multiple relationships between different Tristan poems and Tristan tunes, intertwined and mutually evoking each other, allows us to ‘think [of] Romance’ as a larger, modular experience, a cultural game that can transcend an individual text and generate potentially limitless further texts. It also suggests a twelfth-century way of ‘thinking [with] Romance’ in a playful, creative way that both erases and accentuates the fictionality of the romance world and its characters." @default.
- W2897875270 created "2018-10-26" @default.
- W2897875270 creator A5076578833 @default.
- W2897875270 date "2018-10-18" @default.
- W2897875270 modified "2023-09-25" @default.
- W2897875270 title "Music by Tristan" @default.
- W2897875270 doi "https://doi.org/10.1093/oso/9780198795148.003.0010" @default.
- W2897875270 hasPublicationYear "2018" @default.
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