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- W2898033387 abstract "There are many studies dedicated to speech politics, yet the politics of listening remains anunderdeveloped area of research. The conditions by which judges, lawyers, police, legislators, andwitnesses listen—especially given the increasing employment of forensic audio technologies— deservecloser inspection. This practice-based PhD thesis investigates the political and legal implications ofradically new modes of listening, recording, and audio analysis that have emerged since themid-1980s. It borrows strategies from forensic audio analysis and art to map out the contemporarythresholds of audibility—both human and machinic—as new cultural and political frontiers whereissues of subjecthood, citizenship, and testimony are being defined.This thesis is situated at the intersection of art, science, and advocacy, and as such each of the threechapters, together with the methodological introduction, develop their argumentation through avariety of means. The written component develops a historical and theoretical analysis of the ways inwhich we listen, while in the practice portfolio I test these propositions through both audiovisualartworks and investigative sonic experiments. The textual and practical dimensions are thus mutuallyconstitutive: the historical and theoretical enquiry feeds into the practice, while the practiceinterrogates and attempts to materially implement these critical assumptions as political audioinvestigations for human and civil rights.In analysing the thresholds of sound and voice, we recurrently encounter forms of border-crossing, bethey material, juridical, sensorial, or conceptual. In Chapter 1 we see the ways in which the voicetransgresses the borders between states, both national and ontological. Chapter 2 discusses the blurbetween foreground and background, sound and noise. In Chapter 3 the way sounds bleed throughthe walls of a building leads us to the seepage between sound, sight, and touch.The title Aural Contract refers to a shift from the oral to the aural, and from a contract betweenspeaking subjects towards a new set of propositions for the conditions by which we listen to oneanother and can produce audible evidence. With this shift of analysis from speaking to listening, newmodes of political subjectivity emerge; a new spectrum of sounds and silences by which we can makeaudible those at the threshold of politics—the political prisoner, the colonised, the ghettoised, and themigrant." @default.
- W2898033387 created "2018-10-26" @default.
- W2898033387 creator A5050800171 @default.
- W2898033387 date "2018-03-31" @default.
- W2898033387 modified "2023-09-23" @default.
- W2898033387 title "Aural Contract: Investigations at the Threshold of Audibility" @default.
- W2898033387 doi "https://doi.org/10.25602/gold.00023293" @default.
- W2898033387 hasPublicationYear "2018" @default.
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