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- W2899277537 abstract "In Hugo Hamilton’s 2010 novel Hand in the Fire, the first Irish novel written from an Eastern European perspective, Serbian immigrant Vid Cosic is a witness to and conduit of Irish shame amidst revelations of abuses of institutional power during the Celtic Tiger period. As a migrant worker in Dublin, Vid’s position outside of citizenship allows him to register the fundamentally unequal treatment of both migrants and women in Ireland and the reversion to colonial hierarchies that shape his exclusion. The city is figured in the novel as a site of tension between insiders scrambling for power and outsiders desiring integration and access to resources. As he renovates his friend’s family home, seen through his eyes as a set of beams and nails, so too does Dublin emerge as a house with ‘good bones’, so to speak, that urgently needs renovation. Relatedly, Hamilton suggests that, despite Dublin’s increasingly cosmopolitan character, gender inequities continue to structure the capital city. Both of these sociopolitical and gendered forms of exclusion, I argue, produce a sense of shame pervading all relationships in Dublin specifically and the nation more generally. Hamilton’s narrativisation of these distinct but related forms of exclusion and stratification are most effectively viewed through six affective public and private spaces—the home, the pub, the court, the pier, the street, and the church—that structure the city and, ultimately, the Celtic Tiger nation." @default.
- W2899277537 created "2018-11-09" @default.
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- W2899277537 date "2018-01-01" @default.
- W2899277537 modified "2023-09-27" @default.
- W2899277537 title "Migrants in the City: Dublin Through the Stranger’s Eyes in Hugo Hamilton’s Hand in the Fire" @default.
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- W2899277537 doi "https://doi.org/10.1007/978-3-319-98322-6_4" @default.
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