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- W2901474726 abstract "Playwright Paula Vogel and director Rebecca Taichman’s Indecent (2015) stages the story of Sholem Asch’s controversial Yiddish play God of Vengeance (1907). With Asch’s play as the central character, Indecent redistributes dramatic and historical agency to the theatrical event, using gestures as the agentive force of remembrance. Gesture in Indecent is used to crystallize a critical moment – what Walter Benjamin termed the dialectical image – in order to ask what it means to the present. Foregrounding the role of theatre in constructing cultural memory, Indecent poses pressing questions to the present about immigration, sexuality, censorship, and self-censorship in the United States and illustrates the way history, like theatre, is an ongoing act of recognition. The indecencies suggested in Vogel’s title turn out to be not in Asch’s play but rather in its reception, in the surrounding social context of anti-Semitism and fear of immigrants, and implicitly, in the present’s failure to remember." @default.
- W2901474726 created "2018-11-29" @default.
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- W2901474726 date "2018-11-20" @default.
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- W2901474726 title "Gestures of Remembrance in Paula Vogel and Rebecca Taichman’s <i>Indecent</i>" @default.
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- W2901474726 doi "https://doi.org/10.3138/md.61.4.0965" @default.
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