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• W290278330 abstract "Past and presentation Reinventing Museum: Historical and Contemporary Perspectives in Paradigm Shift Edited by Gail Anderson 2004. Walnut Creek: Alta Mira Press, 394 pages. Are we relevant yet? Many museums need ask themselves that very question. his landmark call arms, A Place Remember: Using History Build Community, Robert H. Archibald issues a wake-up call public history community when he warns that, In future, history will matter more than ever. past we could he mirrors on margins, but now our skills are demanded by communities pursuing new decision-making process, seeking new methods of doing civic business. Either public history organizations assume a pivotal role in this process, or we will be sidelined far from where communities do business that really matters. Veteran public historian Gail Anderson has answered that call in Reinventing Museum. Challenging museum leaders to be alert, questioning, and committed ongoing challenge of making museums a relevant and integral part of civic life, Anderson frames ongoing dialogue shaping today's public history organizations. a comprehensive collection of 34 essays, written by such notables as Stephen E. Weil, John Cotton Dana, Kathleen McLcan, Marie C. Malaro and others, editor Anderson has assembled a formidable array of pioneering intellectual thought addressing paradigm shill in public history since 1400. Divided into five sections covering the challenge remain relevant, role of public, public service, nature and import of museum collections, and essential ingredient of leadership, these articles tackle some thorny, perennial problems inherent in historical agencies today. Indeed, many of challenges that John Cotton Dana sought overcome in 1920s are, even today, obstacles many museums as they seek relevance and embrace of public. this quest become socially responsive, museums must adapt, become flexible, and must embrace change. According Anderson, these goals can only be accomplished through rearrangement of an historical agency's mission and hrough visionary leadership. Some of more interesting discussions in this section revolve around tradition of curator as scholarly voice of authority determining exhibit content. This arrangement has been Linder increasing scrutiny from various special interests and special cultural groups seeking input, access, and even content control. Sometimes contentious, other times embarrassing, is it really wrong include others? Read this book sec bow your organization can be more pluralistic. While most authors in this work explicitly agree that museums have a primary duty educate public, exact role of a museum's collection was, and is, source of some debate. Noting that . .the very nature of an object changes when it becomes a museum Duncan F. Cameron and others, warn us as an industry carefully consider mission, cost, meaning, and long-term conservation needs of objects as they are brought into collections. As American museum collections are currently growing in excess of 1 percent per year and carry an annual cost of $30 $ 100 just maintain one object, these warnings should be heeded. …" @default.
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