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- W2904005615 abstract "Fan-created videogame websites often document the histories of specific games and consoles by drawing on the vernacular practices of fans and collectors. Visitors to these sites are invited to take part in technical discussions, share images of personal collections and catalogue discursive materials surrounding various hardware and software artefacts. Yet rarely have these sites been assessed for the curatorial techniques and preservation strategies they employ in order to promote and document the histories of obsolete videogame technologies. Focussing specifically on fan sites dedicated to the Sega Saturn platform – an obsolete home console that has, since its release in 1994, gained something of a cult status – this chapter will analyse the way that gaming history is curated in these digital contexts. I argue that such practices can be understood as instances of what Jean Burgess (2006: 204) terms “vernacular creativity” – everyday forms of “cultural participation and self-presentation” that develop outside the institutional contexts of galleries or museums. My analysis of the sites is structured along three overlapping levels of symbolic engagement that are, for Sheldon Annis (1986), simultaneously constitutive of the (ideal) museum experience: dream space, pragmatic space and cognitive space. By considering the visitor’s experience on each of these levels, I will give a sense of the curatorial language at work on these sites. I argue that this curatorial language can offer insight into how museums might address the challenge of communicating people’s lived experiences and personal relations with gaming’s past." @default.
- W2904005615 created "2018-12-22" @default.
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- W2904005615 date "2017-03-03" @default.
- W2904005615 modified "2023-09-26" @default.
- W2904005615 title "Sega Saturn Fan Sites and the Vernacular Curation of Videogame History" @default.
- W2904005615 cites W2069567306 @default.
- W2904005615 doi "https://doi.org/10.4324/9781315563480-11" @default.
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