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• W2905507547 abstract "In the late sixteenth century, the practice of wearing a mask as an object-image carried by a living body underwent an essential renewal. Brought closer to disguise, it deeply impacted the way the people of that time conceived human subjectivity. Using communicational semiotics and cultural and historical anthropology, this paper intends to unmask the processes of this metamorphosis. The analysis of the Balet comique de la Royne (1582) under the veil of a web of images and imagination is applied from the design of the mask to its impersonation. It demonstrates that the reform of the common practices of masking laid on the inclusion of artistic, social and devotional practices and theories under the norms of clothing device. At the end of the sixteenth century, the wearing of an image on the body now acts as a mask. It converts, models on and sublimates the masque. Conferring to them the status of the image, it carries them away in a new kind of subjectivity, where the body is vested with the functions of the image, and becomes a work of art dedicated to its character. A la fin du XVI e  siecle, la pratique du masque en tant qu’image portee subit un renouvellement primordial qui, le rapprochant du deguisement, aura un impact profond sur l’evolution des conceptions touchant la subjectivite. En utilisant la semiotique communicationnelle et l’anthropologie culturelle et historique, cet article entend demasquer les mecanismes a l’œuvre dans cette metamorphose. En observant le  Balet comique de la Royne  (1582) au prisme d’imag(inair)es en reseau, l’analyse montre que du dess(e)in du masque a son animation, l’inclusion de pratiques et theories devotionnelles, artistiques et sociales dans les normes du dispositif vestimentaire a ete l’agent de cette reforme des usages du masque. Par conversion, conformation, sublimation, a la fin du XVI e  siecle, l’image portee agit le masque et, en conferant son statut au masque, elle le transporte vers une nouvelle subjectivite, ou le corps investit de ses fonctions devient un objet d’art consacrant un personnage." @default.
• W2905507547 created "2018-12-22" @default.
• W2905507547 creator A5004339114 @default.
• W2905507547 date "2018-12-07" @default.
• W2905507547 modified "2023-09-24" @default.
• W2905507547 title "Les transports du masque et du déguisement. Pratiques et performativité de l’imag(air)e (et) du paraître à la fin du XVI^esiècle = Means and delight of wearing mask and disguise. Practices and performativity of image and imagination (and) of apperances in the late sixteenth century" @default.
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