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- W2905559077 abstract "In the history of forming of visual anthropology as a method of intercultural communication in Russia up to the present time documentary cinematograph takes a dominant lead. Taking into account the change of ideology and the information technologies’ development level there can be marked several stages: • Already in the pre-revolutionary period the documentary cinematograph started realizing its cognitive function, which made its core function with time. Unpretentious short fragments of the chronicle are nowadays considered the rare evidences of the passed life. • After the revolution the new state from its very steps set a task for cinematography to form a “new man”. This movement was headed by Dziga Vertov, an ideologist of a special vision of reality via cinema camera and via influencing the spectators through the documentary screen. His “kino-pravda” had become a symbol for the researchers of the real world with the help of the movie language. The movie “A Sixth Part of the World” became an unprecedented project of a simultaneous documenting of lives of different peoples in vast territories of the country, and it inspired other documentary filmmakers for making movies on ethnographic topics. • The post-war period was the time of a reviewing “kino-atlas” based on popular science movies – “travelogues”, where just a little time was spared to ethnographic topic. The common cinema target became showing the achievements of the Soviet system. Participation of scientific community was limited to advisor’s role. Just in some particular cases there were created university and academic ethnographic movies. • The first in the USSR territory festival of visual anthropology in Parnu town offered a new approach to showing the life of human communities. The main challenge of the film directors was to reveal the essential features of lives of those people who confided to tell their stories. Such principles of visual anthropology as authenticity and moral responsibility towards the depicted culture became a challenge to the attitudes to forming the mindset of the spectator in an available form. The contemporary period of visual anthropology development is marked with search of ways of integration of scientific approaches of modern anthropology and a newly forming ethical and aesthetical language of the documentary cinema." @default.
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- W2905559077 date "2018-09-07" @default.
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- W2905559077 title "The role of documentary filmmaking in formation of visual anthropology of Russia" @default.
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