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- W2907440303 abstract "Recent scholarship has studied the ideology of virtuosity as it appears in the late eighteenth century. This chapter shifts our focus from virtuosity to mediocrity. In doing so, I expose ideological contradictions in the music education of girls. In particular, I consider the illogical attitude that artlessness is the pinnacle of a girl’s performance, but that this artlessness can be achieved without mechanical practice. My chapter examines the anxiety experienced by music professionals when mediocrity is a student’s goal. In such cases, master teachers are not required for students to achieve basic competency, and standardized lessons are more cost-effective than individualized ones. Finally, if we accept that the regimen of practice is a safe zone for the development of female assertiveness (given that the work of achieving mediocrity is a socially sanctioned, private space of female labour), I ask why women writers of pedagogical novels, epistolary fictions, and educational tracts—even those whose backgrounds include work with music professionals—do not address the potential of music in a girl’s developmental process. Primary texts include works by Jean-Jacques Rousseau, Madame de Genlis, Adelaide O’Keeffe, music training works by Charles Dibdin and others, and pamphlets debating the merits of Logier’s chiroplast, a mechanical contraption for teaching piano keyboard skills." @default.
- W2907440303 created "2019-01-11" @default.
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- W2907440303 date "2018-01-01" @default.
- W2907440303 modified "2023-10-18" @default.
- W2907440303 title "Mediocrity: Mechanical Training and Music for Girls" @default.
- W2907440303 doi "https://doi.org/10.1007/978-3-319-94737-2_9" @default.
- W2907440303 hasPublicationYear "2018" @default.
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