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- W2912159561 abstract "The rush of a digital ride through the human body is the point at which technology extends action cinema from the physical to the metaphysical. Luc Besson's 2014 film Lucy synthesizes the traditional concerns of the genre—spectacle, violence, transformation, and mastery—with the provocative notion that the natural domain of the female action protagonist is the technological. During the Age of Exploration, colonial conquest by technological superiority and westward expansion of the American frontier required “men able to overcome and dominate a feminine nature”. Calling upon the discourses of cyborg feminism attached to action cinema of the 1980s and 1990s, as well as more recent approaches, this chapter examines the cultural and cinematic surprises of Lucy within the framework of technofeminism, whereby Besson's film constitutes the relationship between women and technology as one of “mutual shaping”, which it visualizes through digital cinematic processes." @default.
- W2912159561 created "2019-02-21" @default.
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- W2912159561 date "2019-02-01" @default.
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- W2912159561 title "A Digital Nature" @default.
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- W2912159561 doi "https://doi.org/10.1002/9781119100744.ch23" @default.
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