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- W2912349411 abstract "In the first few months of my fieldwork in Bolivia the death of Michael Jackson prompted a shift in the soundtrack to daily life: for a brief window his music was everywhere. In the weeks that followed, I witnessed two Michael Jackson impersonators perform, one outside a church and one outside a school in the days that followed. Here I set the encounters with these two Michaels within the sonic world I had previously experienced, and frame them as ‘stagings’: momentary performances where cosmopolitan figures and frames are brought into local performances. I recount other such stagings and suggest that Michael Jackson’s death made him available to be danced in different contexts in which the new Bolivian modernity is produced." @default.
- W2912349411 created "2019-02-21" @default.
- W2912349411 creator A5043783248 @default.
- W2912349411 date "2019-02-06" @default.
- W2912349411 modified "2023-09-23" @default.
- W2912349411 title "Michael Jackson—‘Billie Jean’" @default.
- W2912349411 doi "https://doi.org/10.30676/jfas.v43i2.78147" @default.
- W2912349411 hasPublicationYear "2019" @default.
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