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- W2912353819 abstract "In this paper, the myth of Australia as a classlesssociety is critically interrogated by examining theportrayal of musicians in Australia’s NationalPortrait Gallery. The collection (and itsdevelopment) can be understood as a reflection ofour national cultural identity, and its analysis raisesissues of cultural hegemony and the cultural cringe,along with the impact of globalization. Theinstitutional framing of musicians at a national levelreveals the values that influence our culture and ourartistic life. As it is through the visual that manyideas about music are communicated, theconstitution of such a collection can mirror andreflect, but also distort and even block, thesignificance of individual achievement. This paper considers the portraiture ofclassical musicians in relation to jazz, pop,experimental and indigenous musicians; issues suchas gender, race and cultural identity are alsoconsidered. The specific research question is: whatcan we learn about the diversity, identity and statusof musicians in Australia by studying their visualrepresentation? Given the visual bias ofcontemporary society, the representation of musicplays a powerful role in communicating ideas aboutmusic to the broader public. The larger question is:how can this study contribute to current discussionsabout class?" @default.
- W2912353819 created "2019-02-21" @default.
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- W2912353819 date "2018-01-01" @default.
- W2912353819 modified "2023-09-27" @default.
- W2912353819 title "Images of Australian Musicians: Diversity, Identity, Status, Class" @default.
- W2912353819 hasPublicationYear "2018" @default.
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