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- W2912897084 abstract "Dialogue’s association with the literary arts is a key reason why it has been historically undervalued within film studies. Adaptation scholars have demonstrated sustained interest in voice-overs, as part of a broader interest in the transcodification of narration techniques across media. However, the discipline has tended to downplay the significance of dialogue more broadly. By focusing on the verbal elements of adaptations, as well as other literary influences on American independent cinema, this final chapter begins to address this imbalance. The chapter examine how independent writer-directors’ literary interests can influence the dialogue in their original and adapted works. After considering Whit Stillman’s multi-directional adaptations, dialogue as storytelling, and reflexive adaptation, it is found that dialogue can be used to create verbal consistency between these writer-directors’ adaptations and their original screenplays. Drawing on Mikhail Bakhtin’s literary concept of ‘double voicing’, the chapter also explores how indie writer-directors’ use characters as mouthpieces that reflecting their own opinions." @default.
- W2912897084 created "2019-02-21" @default.
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- W2912897084 date "2018-05-01" @default.
- W2912897084 modified "2023-10-16" @default.
- W2912897084 title "Adapting Dialogue and Authorial Double-voicing" @default.
- W2912897084 doi "https://doi.org/10.3366/edinburgh/9781474420624.003.0008" @default.
- W2912897084 hasPublicationYear "2018" @default.
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