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- W2912983295 abstract "This chapter takes up the question of empathy’s intersection with medicine in the era of biocapitalism. The first section, ‘Emotional capital’, considers the concept of emotional capitalism; a culture in which emotional and economic practices mutually shape and constitute each other. Drawing on Sianne Ngai’s analysis of ugly feelings, I read Kazuo Ishiguro’s representation of narrative voice in <italic>Never Let Me Go</italic> not as affectless, but as symptomatic of what happens when emotion is placed in the service of the marketplace. The second section, ‘Life stories’, moves on to the question of cloning, asking what kinds of life stories are produced in and through biotechnological interventions and arguing for Ishiguro’s interest in their political, as well as social and ethical, implications. ‘Ishiguro and biopolitics’ addresses the novel’s treatment of the global organ trade, asking how models of flow and exchange affect the capacity to care for others. The final section, ‘Empathy and art’, probes Ishiguro’s critical treatment as art as a vehicle for empathy, arguing that empathy becomes, in his vision, the ultimate realisation of the neoliberal subject." @default.
- W2912983295 created "2019-02-21" @default.
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- W2912983295 date "2017-11-01" @default.
- W2912983295 modified "2023-09-25" @default.
- W2912983295 title "Empathy and Capitalism" @default.
- W2912983295 doi "https://doi.org/10.3366/edinburgh/9780748686186.003.0006" @default.
- W2912983295 hasPublicationYear "2017" @default.
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