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- W2913662371 abstract "In recent years, analysts of cinematic ghosts have called for ways of learning to live with ghosts; in this paper, I argue that Richard Linklater's Before trilogy—1995's Before Sunrise, 2004's Before Sunset, and 2012's Before Midnight—models precisely such a process. I attend to the crucial role of ghosts in sparking and sustaining the romance at the heart of Before, and I argue that Linklater's trilogy is not only ghost-written (relying formally on ghosts) and ghost-ridden (relying narratively on a preponderance of them) but a staging ground for ghost-righting, an active ghosting in the vein of Derrida's spectral ethics. Issues considered include traditional narrative patterning of love and death; ghosts and (dis)embodiment in Western cinema; spectrality in the work of Jacques Derrida and Roland Barthes; questions of temporality, duration, and fear of death; romantic historiography; and the intimate politics of Before." @default.
- W2913662371 created "2019-02-21" @default.
- W2913662371 creator A5013453339 @default.
- W2913662371 date "2018-01-01" @default.
- W2913662371 modified "2023-10-17" @default.
- W2913662371 title "Ghost-Righting: The Spectral Ethics and Haunted Spouses of Richard Linklater's <em>Before</em> Trilogy" @default.
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- W2913662371 doi "https://doi.org/10.13110/criticism.60.1.0001" @default.
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