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- W2913778114 abstract "Chapter 2 examines the representation of the figure of the peasant and its contemporary incarnation as migrant workers (<italic>mingong</italic>). It analyzes the structures of feeling of empathy and hope that concretize around the <italic>mingong</italic> figure in these films, but also explores the sense of precariousness related to this figure in the more recent films, and how the figure has been made subaltern, wretched, and rootless. It examines two cinematic forms associated with this figure – the point-of-view (POV) shot and the observational shot – positing that the POV evokes empathy while the observational shot creates sympathy. Then, it focuses on the <italic>mingong</italic> mass that replaces the individual <italic>mingong</italic>, arguing that the <italic>mingong</italic> have been commodified and made expendable. It concludes with a cinematic form associated with this group – the <italic>mingong</italic> gaze, which exists as a reminder, watching and, in its presence, remaining, demanding that the viewer acknowledge the <italic>mingong</italic> and their current state." @default.
- W2913778114 created "2019-02-21" @default.
- W2913778114 creator A5060175395 @default.
- W2913778114 date "2018-07-01" @default.
- W2913778114 modified "2023-09-25" @default.
- W2913778114 title "The Peasant and the Mingong: From Empathy to Sympathy to Looking Back" @default.
- W2913778114 doi "https://doi.org/10.3366/edinburgh/9781474421614.003.0002" @default.
- W2913778114 hasPublicationYear "2018" @default.
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