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- W2919262655 abstract "Filming documentary characters performing everyday activities inevitably results in a clash of two distinct habitus – the filmmaker’s and the character’s – which leads to a renegotiated ‘hybrid habitus’ that, especially when filming disabled characters, raises questions about ethics, agency, shared authorship and performativity. This hybrid habitus is illustrated through discussing my documentary Terry (2017), which depicts the life of a blind painter. During the filmmaking process it was evident that the filming would impact on Terry painting – for instance, whilst he always listens to music when painting, the presence of the camera and the rules of continuity required him to paint without music (“in silence”, as he would put it). This and other interventions on my part (e.g. asking him to repeat actions for better film coverage) are reflexively depicted in the film, not least because Terry would openly protest and sarcastically complain about all these restrictions on-camera. The artefacts that emerge during the filming – my film and his painting – are thus witnesses to the precarious interaction of a range of material agents: my body, Terry’s body and voice, the camera, the microphone, the canvas and the painting materials (plasticine and paint)." @default.
- W2919262655 created "2019-03-11" @default.
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- W2919262655 date "2018-01-01" @default.
- W2919262655 modified "2023-09-26" @default.
- W2919262655 title "Clashing Agencies – A Seeing Filmmaker Filming a Blind Painter" @default.
- W2919262655 hasPublicationYear "2018" @default.
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