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- W2920382020 abstract "In the Second Surrealist Manifesto (1929), Andre Breton (1896-1966) claimed that the “simplest Surrealist act consists of dashing down into the street, pistol in hand, and firing blindly, as fast as you can pull the trigger, into the crowd. This article assesses whether shooting somebody could ever be considered a work of art, by assessing loyalist paramilitary Michael Stone's claim that his attempted murder of Gerry Adams and Martin McGuinness (2006) was a work of art; Chris Burden's performance Shoot (1971), and Valerie Solanas' attempted murder of Andy Warhol (1968). The ethical implications of these acts are compared to the work of Santiago Sierra, and Christabel Pankhurst's defence of militancy. The acts are considered aesthetically by referring to Peter Bond's testimony at the Michael Stone trial, and the institutional theory of art." @default.
- W2920382020 created "2019-03-11" @default.
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- W2920382020 date "2018-12-15" @default.
- W2920382020 modified "2023-09-24" @default.
- W2920382020 title "Dangerous Artists of Calibre: shooting people as performance art" @default.
- W2920382020 hasPublicationYear "2018" @default.
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