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- W2921397997 abstract "This essay meditates on Heidegger, Derrida, readymades and a certain erratic boulder. It is structured around Heidegger's The Origin of the Work of Art (1935); the first section briefly explicates his phenomenological method based on the bracketing of one's preconceptions in order to let the thing show itself. From methodology, the essay moves to a reading of Heidegger's interpretation of van Gogh's Old Shoes with Laces. Heidegger argues that a work of art presents a singular, though historical, truth. Against that view I juxtapose Derrida's deconstructive reading in Restitutions of the Truth in Pointing (1978) where he shows that due to a work's 'essential indeterminacy' it cannot be reduced to a singular reading. The tensions between phenomenology, deconstruction and hermeneutics are explored but not definitively resolved. In the second part of the essay, I read Duchamp's readymades and Maura Doyle's Erratic Boulder through a Heideggerian lens as well as Heidegger's argument through those works. Duchamp and Doyle offer an opportunity to further draw out some of Heidegger's ideas as well as to reveal the limits of his division of things into natural things, useful things and works of art." @default.
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- W2921397997 date "2008-01-01" @default.
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- W2921397997 title "Art and the play of (un)concealment" @default.
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