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- W2922197251 abstract "Those who perform, analyse or teach music from the later Middle Ages were treated to a panoply of riches in Würzburg, Germany, on 13 and 14 December 2018. The occasion was the symposium ‘A Counterpoint of Music and Text(s): Redefining Musico-textual Relationships in Late Medieval Repertoires’, held under the aegis of the Institut für Musikforschung of the University of Würzburg and sponsored by the university, the Siebold Collegium—Institute for Advanced Studies (Würzburg), and the Alexander von Humboldt Foundation. Billed as a ‘workshop’, but comprising seven major papers treating chanson, ballata, madrigal and motet, it made absolutely clear that the study of text–music relations has assumed profound new dimensions in the last several years. The conference divided neatly into two groups of papers, one treating French, the other Italian music of the 14th century. The final paper, by Margaret Bent, served as a kind of summa, offering a catalogue raisonné of the compositional features of motets during the same period." @default.
- W2922197251 created "2019-03-22" @default.
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- W2922197251 date "2019-02-01" @default.
- W2922197251 modified "2023-09-25" @default.
- W2922197251 title "A counterpoint of music and texts in Würzburg" @default.
- W2922197251 doi "https://doi.org/10.1093/em/caz018" @default.
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