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- W2926254074 abstract "The body in Virginia Woolf's works has often been regarded as absent, a void filled with the flickering impressions of the psyche. Woolf's representations of flesh in Jacob's Room (1922) and her 1906 travel diaries in Greece demand an adjusted perspective: the body comes into existence at the intersections of hard matter and soft malleability. Instead of representing a hole, the flesh becomes a hollow, defined by phenomenologist Maurice Merleau-Ponty as the mutually created meeting space between subject and other. Woolf's preoccupation with the semi-soft bodies of sculptures in her early journals and first experimental novel throws fresh light on her literary aesthetics. Distancing herself from a male tradition based on hardness and painstaking physical descriptions, Woolf proposes a more empathetic way of knowing others: the vulnerable and incomplete body acquires shape under its creator's fingers, whose touch gently redraws its boundaries without annihilating its individuality." @default.
- W2926254074 created "2019-04-11" @default.
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- W2926254074 date "2019-01-01" @default.
- W2926254074 modified "2023-09-25" @default.
- W2926254074 title "Malleable Sculptures in Virginia Woolf's <em>Jacob's Room</em> and Early Travel Diaries" @default.
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- W2926254074 doi "https://doi.org/10.2979/jmodelite.42.2.09" @default.
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