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- W2943286815 abstract "John Michael McDonagh was aiming to address an international audience. He defined his film as 'universal', rather than as merely 'parochial', a film that transcends its local setting to address wider themes and concerns. This is a fairly common marketing strategy, repositioning the film to maximise potential audiences; re-categorising it from the nationally specific to the transnationally generic. This chapter focuses on the developments in Ireland, North and South, as the successful integration of Ireland into international screen culture. The concept of transnational cinema also has implications for the two classic approaches to film studies – genre and auteur criticism – both of which can inform but also cut across the national cinema paradigm. For most of the 1980s and 1990s, it would be difficult to argue that the emerging Irish cinema developed its own recognisable genre cinema and this might explain the lack of a systematic application of genre theory to Irish films." @default.
- W2943286815 created "2019-05-09" @default.
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- W2943286815 date "2019-05-03" @default.
- W2943286815 modified "2023-10-12" @default.
- W2943286815 title "Irish Cinema and International Screen Culture" @default.
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- W2943286815 doi "https://doi.org/10.1002/9781118482889.ch13" @default.
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