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- W2943385875 abstract "Abstract The notion of a shared history across the Mediterranean is central to a number of Spanish-Moroccan musical collaborations, which draw on the notion of convivencia : the alleged peaceful coexistence between Christians, Jews, and Muslims in medieval Spain. In this article, I explore the relationship between a ‘musical’ convivencia and Moroccan immigration in Spain, focusing on two prominent case studies: Macama jonda (1983) and Inmigración (2003). Spanning a twenty-year period, I argue that these two productions illustrate shifting responses to Moroccan immigration at distinct historical moments: the post-Franco era and post-9/11. These two productions illustrate the malleability of the convivencia myth, employing it for distinct social and political purposes. I argue that Macama jonda and Inmigración should be read as products of shifting political and cultural relations between Spain and Morocco, and Spain's negotiation of its Muslim past." @default.
- W2943385875 created "2019-05-09" @default.
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- W2943385875 date "2019-04-30" @default.
- W2943385875 modified "2023-10-17" @default.
- W2943385875 title "Spanish Musical Responses to Moroccan Immigration and the Cultural Memory of al-Andalus" @default.
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- W2943385875 doi "https://doi.org/10.1017/s1478572218000324" @default.
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