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- W2945131057 abstract "Melanie Schiller has made an important contribution to the discipline of popular music studies, and to our understanding of German Zeitgeschichte in her book, Soundtracking Germany. She explains how the national has been neglected by the field of popular music studies, which is more interested in either the local or subcultural, or conversely in much larger flows involved in the globalization of the popular music industry. Her five chronologically arranged and well-contextualized case studies of popular songs come from the 50 years between the immediate postwar and the 2000s. They establish how the national has indeed been important in the West German and post-Wende Federal Republic setting, both in a positive sense when Germanness is an overt theme, as well as when it is noticeably omitted. These case studies start with Karl Berbuer’s Cologne Karneval hit Trizonesien-Song of 1948, which functioned as an alternative, humorous-Schlager national anthem from below, at a time when the Deutschlandlied was officially out of bounds. Schiller then moves on to mid-1960s beat music by groups who performed in a style and language borrowed from British invasion bands like the Beatles and Rolling Stones, and avoided plays on Germanness. In chapter 3, Schiller examines 1970s Krautrock by bands like Kraftwerk and focuses on their iconic song Autobahn, which sonically portrays an open-ended journey, and negotiates its way through selected elements (the Autobahn, the KdF-Wagen/Volkswagen, the Mercedes Benz) that bridge the recent German past and the present. The following chapter considers late 1970s and 1980s Neue Deutsche Welle and particularly the controversial hit Der Mussolini (with its barked order to ‘Tanz den Adolf Hitler!’), by Deutsch Amerikanische Freundschaft (DAF). Schiller argues that this is a song which masquerades as nationalist fascism, but subverts it from a queer perspective. Schiller’s study closes with the affirmative 2004/05 trance anthem Wir sind wir by techno musician Paul van Dyk and the lyricist Peter Heppner." @default.
- W2945131057 created "2019-05-29" @default.
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- W2945131057 date "2019-05-20" @default.
- W2945131057 modified "2023-10-16" @default.
- W2945131057 title "Soundtracking Germany: Popular Music and National Identity" @default.
- W2945131057 doi "https://doi.org/10.1093/gerhis/ghz030" @default.
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