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- W2945743485 abstract "This paper explores a performance titled falling in love again – and Again which I performed in Wolverhampton and uses the works of Sophie Calle and Vito Acconci as points of departure. In the paper I argue that the anonymous subjects that Calle and Acconci followed around the city streets were instrumental in their social becoming. These people provided Calle and Acconci with other bodies with which to locate themselves, or as Acconci puts it, ‘become dependent on’ and ‘need’ (Acconci, 2006: 77). This desire to locate oneself with/through is echoed in Calle as she describes being ‘swept along by the energy of other people, getting them to choose my itineraries for me’ (Calle 2003:77). This paper argues that a similar form of ‘writing over’ to that of Forced Entertainment’s Nights in this City takes place in both Acconci’s Following Pieces of 1969 and Calle’s Suite Venitienne of 1980. Where Forced Entertainment overlaid imaginary events on actual locations, Calle and Acconci overlaid imaginary relations over actual other people. In falling in love again – and Again I played with the idea that there is creative potential in the space where the line between the imaginary and real becomes blurred by falling in love with strangers but never letting on. These imaginary convergences of place, self and other reveal possibilities to not only better understand the mechanics of our social spatial production, but also where the creative potential is in these dynamics and in this paper I speak to the mechanics of interplay." @default.
- W2945743485 created "2019-05-29" @default.
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- W2945743485 date "2013-06-13" @default.
- W2945743485 modified "2023-09-27" @default.
- W2945743485 title "Intersubjective facelessness - the experience of unwitting interaction" @default.
- W2945743485 hasPublicationYear "2013" @default.
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