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- W294581910 abstract "This paper discusses the ways contemporary art strategies can transform our understanding ofhistory and create new ways of engaging with the past. Referencing two Tasmanian novels thatraise issues about truth, history and transformation, it compares the ways in which twocontemporary Australian artists explore history and cultural heritage. Julie Gough seeks to reevaluatethe impact of the past on the present through the obsessive collection and manipulationof found objects and natural materials, especially those associated with her Tasmanian Aboriginalancestry. Anne Ferran works with the residues of Australia’s colonial past using photomedia,video and installation, often reconstructing the untold stories of women at historic sites such asthe female factories at Ross and South Hobart. While the strategies used by both artists differ,their work reflects a common concern for reconfiguring and redescribing the past in ways thatquestion the authority and veracity of official recorded history. Gough’s and Ferran’s work isdiscussed with reference to two novels that merge fact with fiction: Richard Flanagan’s Gould’sBook of Fish, a contemporary Australian novel set on the Sarah Island penal settlement, andHenry Savery’s Quintus Servinton, Australia’s first novel, which relates the author’s life andtransportation to colonial Australia. The paper arose as a result of the author creating an art workabout Henry Savery for the 2008 Ten Days on the Island Festival exhibition, The Port ArthurProject." @default.
- W294581910 created "2016-06-24" @default.
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- W294581910 date "2007-03-01" @default.
- W294581910 modified "2023-09-27" @default.
- W294581910 title "Truth, history and transformation" @default.
- W294581910 hasPublicationYear "2007" @default.
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