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- W2946286351 abstract "With the arrival in New York of the celebrated Chinese junk <italic>Keying</italic> in 1847, Afong Moy’s presence as a well-known Chinese spectacle was again in demand. Chapter 10 tells us that after an eight-year hiatus, P. T. Barnum, America’s preeminent promoter, engineered her return. Coupled with Tom Thumb, Barnum recounted their origin stories in a seven-page pamphlet and presented them together at his American Museum in 1848. In characteristic fashion, in 1850, Barnum supplanted one Chinese female spectacle with another, a supposed Chinese woman of a younger age named Pwan-ye-koo. She presented in Afong Moy’s place in America and later in England. Foreigner Jenny Lind’s arrival in late 1850 captivated the American public, and Afong Moy—first a billboard for Chinese goods and then an objectified oriental exotic—was completely forgotten." @default.
- W2946286351 created "2019-05-29" @default.
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- W2946286351 date "2019-05-23" @default.
- W2946286351 modified "2023-09-27" @default.
- W2946286351 title "The Final Act" @default.
- W2946286351 doi "https://doi.org/10.1093/oso/9780190645236.003.0011" @default.
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