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- W2946537349 abstract "In 1856, Gustave Le Gray’s photographs were included in the fourth annual exhibition of the Photographic Society in London. They caused an immediate sensation. <italic>La Revue photographique</italic> observed: ‘This time, Le Gray has gone beyond the limits of what could be achieved’. Taking as a starting point Philip Hamerton’s famous claim that photography ‘is not capable of giving two truths at once’, this chapter investigates Le Gray’s repeated depiction of sea and sky in order to suggest a coastal photography that was technically and thematically at home with limits, thresholds and margins." @default.
- W2946537349 created "2019-05-29" @default.
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- W2946537349 date "2018-11-01" @default.
- W2946537349 modified "2023-10-14" @default.
- W2946537349 title "Developing Fluid: Precision, Vagueness and Gustave Le Gray’s Photographic Beachscapes" @default.
- W2946537349 doi "https://doi.org/10.3366/edinburgh/9781474435734.003.0012" @default.
- W2946537349 hasPublicationYear "2018" @default.
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