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- W2947602001 abstract "In this chapter, the author aims to approach the topic of “Colonization/Decolonization in the Americas” from a global point of view and with a specific look at inter-American relations. He investigates neo-African forms of music in the Americas with regards to African retentions on the level of musical forms and elements, such as multirhythm and multimeter, repetition, call-and-response patterns, and the importance of the drum. The author analyzes music and specific approaches to using sound as communication in a philosophical sense. African-based diasporic cultures are highly complex cases of global and transcultural formations, as there is a whole array of variations in the Americas, Europe, and within Africa. The main features distinguishing African cultures from North Atlantic ones are nonlinear, context-based conceptions of time, a strong emphasis on repetition, communal notions of the person, and most importantly, an oral culture that was the main form of communication until the introduction of writing by Europeans." @default.
- W2947602001 created "2019-06-07" @default.
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- W2947602001 date "2019-05-24" @default.
- W2947602001 modified "2023-09-24" @default.
- W2947602001 title "African American music in the Americas" @default.
- W2947602001 doi "https://doi.org/10.4324/9780429423932-3" @default.
- W2947602001 hasPublicationYear "2019" @default.
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