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• W2947808182 abstract "One of Pierre Schaeffer’s achievements in his musical research was his proposal of the sound object as a basic unit of musical experience and his insistence on listening as a main focus of research. Out of this research grew a radical new music theory of sound-based composition. This article will draw on this extensive research to explore the spaces where this music is heard and present the claim that the space in which music is experienced is as much a part of the music as the timbral material itself. The key question here is the changes made to timbral material through acousmatic spatial listening and the subjective analysis affordance of the listeners’ placement and perspective. These consequences are studied from a phenomenological and psychoacoustic perspective and it is suggested that Schaeffer’s research on timbral and musical concepts can be extended to include spatial features." @default.
• W2947808182 created "2019-06-07" @default.
• W2947808182 creator A5021896088 @default.
• W2947808182 date "2019-04-01" @default.
• W2947808182 modified "2023-09-28" @default.
• W2947808182 title "Sound Objects and Spatial Morphologies" @default.
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• W2947808182 doi "https://doi.org/10.1017/s1355771819000037" @default.
• W2947808182 hasPublicationYear "2019" @default.
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