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- W2950946882 abstract "In a widely cited 2008 review entitled ‘Two Paths for the Novel’, Zadie Smith tackled the perennial question of the death of the Anglophone novel as a viable literary form for articulating contemporary experience. Joseph O’Neill’s Netherland (2008) and Tom McCarthy’s Remainder (2005), Smith wrote, represent divergent trajectories for novelistic style in the twenty-first century. On the one hand, O’Neill’s complacent lyrical realism in the tradition of Balzac and Flaubert perpetuates the foundational myth that ‘the self is a bottomless pool’ and wields this anachronism into a new era of ontological and technological entanglement. On the other, McCarthy’s deconstructive ‘anti-novel’ unceremoniously dismantles bourgeois depth psychology to reveal the chaos beneath – that indivisible remainder, which cannot be processed or made to cohere. Smith’s critique draws sustenance from the opposition in theories of the novel between realism and experimentation: a dichotomy that, as Dominic Head notes, has unhelpfully persisted in British literary criticism. The drawing-up of boundaries in the post-war period between writers like Kingsley Amis and Margaret Drabble on the side of realism, and figures such as B. S. Johnson and Christine Brooke-Rose on the side of experimentation, has thus simplified novelistic practices that might more productively be read as occupying some messy middle ground." @default.
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- W2950946882 date "2019-06-27" @default.
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- W2950946882 title "Experiment and the Genre Novel" @default.
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- W2950946882 doi "https://doi.org/10.1017/9781108649865.009" @default.
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