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• W2955826513 abstract "This essay examines Sui Sin Far’s early fictions that feature Chinese female “slaves” and Black female characters in order to see what her rhetorical use of slavery can teach us about the afterlife of slavery in the United States. I read the metaphor of marriage as slavery in Sui Sin Far’s “Ku Yum” (1896) alongside the rhetoric of early U.S. white suffragists who argued that their condition of rightlessness was chattel slavery. The marriage-as-slavery analogy depends on and perpetuates the process of what Hortense Spillers calls the ungendering and misnaming of the Black female captive, a core element of the antiblack technology of the transatlantic racial slavery. As a means of reading Sui Sin Far’s early stories not for what she can teach us about Chinese slavery or women but for how representational practices in U.S. chattel slavery such as blackface minstrelsy continued to influence literary and cultural imaginations in the construction of the figure of the Black woman, I read “Ku Yum” together with “Away Down in Jamaica” (1898). The latter provides a heuristic for how we might read the enduring legacy of antiblackness and slavery in literature and culture through the figure of the misnamed Black woman." @default.
• W2955826513 created "2019-07-12" @default.
• W2955826513 creator A5014968111 @default.
• W2955826513 date "2019-01-01" @default.
• W2955826513 modified "2023-10-17" @default.
• W2955826513 title "Slavery in Sui Sin Far’s Early Fictions" @default.
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• W2955826513 doi "https://doi.org/10.1353/jaas.2019.0021" @default.
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