FRINK Linked Data Fragments server

Matches in SemOpenAlex for { <https://semopenalex.org/work/W2956017959> ?p ?o ?g. }

• W2956017959 abstract "This article follows on the heels of one by Holly Watkins, who argues that music, “a subsystem of the social system of communication,” can evoke the organic (the bodily and the psychic) not by forming a self-contained unity of parts and whole but through the “internal recursiveness” of musical works, their external “recursiveness vis-a-vis other music,” and – crucially – “the knowingness the music displays toward its own operations.” I adopt the premise that music evokes the organic most vividly not through recursive processes in individual systems but through the as-if intentional integration of such processes in multiple systems, of which I concern myself particularly with the harmonic, contrapuntal, and formal domains (or, more precisely, the motivic). I offer correctives to the organicist theories of Arnold Schoenberg and Heinrich Schenker, which similarly concern these domains, and especially to their reception. And I explore this direction through an analysis of J. S. Bach’s Prelude No. 7 in E-flat major from book 1 of The Well-Tempered Clavier, BWV 852, a singular piece that billows forth like an unfathomable blossom.Dieser Artikel folgt einem Essay von Holly Watkins, in dem die Autorin argumentiert, dass Musik, »a subsystem of the social system of communication«, das Organische (das Korperliche und das Psychische) nicht durch die Bildung einer in sich geschlossenen Einheit von Teilen und Ganzem, sondern durch die »internal recursiveness« von Musikwerken, ihre ausere »recursiveness vis-a-vis other music« und – was entscheidend ist – durch »the knowingness the music displays toward its own operations« hervorrufen kann. Ich ubernehme die Voraussetzung, dass Musik das Organische nicht durch rekursive Prozesse in einzelnen Systemen, sondern durch die quasi-intentionale Integration solcher Prozesse in mehreren Systemen am anschaulichsten hervorruft, von denen ich mich insbesondere mit dem harmonischen, kontrapunktischen und formalen Bereich (oder, genauer gesagt, dem motivischen) beschaftige. Ich biete Korrekturen zu den organizistischen Theorien von Arnold Schonberg und Heinrich Schenker an, die diese Bereiche ebenfalls betreffen, und insbesondere zu ihrer Rezeption. Daruber hinaus erforsche ich diese Richtung durch eine Analyse von J. S. Bachs Praludium Nr. 7 in Es-Dur aus Buch 1 des Wohltemperierten Klaviers, BWV 852, einem einzigartigen Stuck, das sich wie eine unergrundliche Blute forttreibt." @default.
• W2956017959 created "2019-07-12" @default.
• W2956017959 creator A5017271425 @default.
• W2956017959 date "2019-01-01" @default.
• W2956017959 modified "2023-09-28" @default.
• W2956017959 title "Schoenberg – Schenker – Bach. A Harmonic, Contrapuntal, Formal Braid" @default.
• W2956017959 cites W106247289 @default.
• W2956017959 cites W1608870584 @default.
• W2956017959 cites W179131624 @default.
• W2956017959 cites W1795352459 @default.
• W2956017959 cites W1989916294 @default.
• W2956017959 cites W1998115096 @default.
• W2956017959 cites W2575358648 @default.
• W2956017959 cites W2800256755 @default.
• W2956017959 cites W2802294650 @default.
• W2956017959 cites W2806445736 @default.
• W2956017959 cites W2903567638 @default.
• W2956017959 cites W2906013038 @default.
• W2956017959 cites W353324442 @default.
• W2956017959 cites W435800294 @default.
• W2956017959 cites W633808390 @default.
• W2956017959 cites W639410290 @default.
• W2956017959 cites W646431630 @default.
• W2956017959 cites W658866906 @default.
• W2956017959 doi "https://doi.org/10.31751/1005" @default.
• W2956017959 hasPublicationYear "2019" @default.
• W2956017959 type Work @default.
• W2956017959 sameAs 2956017959 @default.
• W2956017959 citedByCount "1" @default.
• W2956017959 countsByYear W29560179592021 @default.
• W2956017959 crossrefType "journal-article" @default.
• W2956017959 hasAuthorship W2956017959A5017271425 @default.
• W2956017959 hasBestOaLocation W29560179591 @default.
• W2956017959 hasConcept C111472728 @default.
• W2956017959 hasConcept C138885662 @default.
• W2956017959 hasConcept C142362112 @default.
• W2956017959 hasConcept C150104678 @default.
• W2956017959 hasConcept C153349607 @default.
• W2956017959 hasConcept C15708023 @default.
• W2956017959 hasConcept C2778023277 @default.
• W2956017959 hasConcept C52119013 @default.
• W2956017959 hasConcept C558565934 @default.
• W2956017959 hasConceptScore W2956017959C111472728 @default.
• W2956017959 hasConceptScore W2956017959C138885662 @default.
• W2956017959 hasConceptScore W2956017959C142362112 @default.
• W2956017959 hasConceptScore W2956017959C150104678 @default.
• W2956017959 hasConceptScore W2956017959C153349607 @default.
• W2956017959 hasConceptScore W2956017959C15708023 @default.
• W2956017959 hasConceptScore W2956017959C2778023277 @default.
• W2956017959 hasConceptScore W2956017959C52119013 @default.
• W2956017959 hasConceptScore W2956017959C558565934 @default.
• W2956017959 hasLocation W29560179591 @default.
• W2956017959 hasLocation W29560179592 @default.
• W2956017959 hasOpenAccess W2956017959 @default.
• W2956017959 hasPrimaryLocation W29560179591 @default.
• W2956017959 hasRelatedWork W2085951271 @default.
• W2956017959 hasRelatedWork W2169582376 @default.
• W2956017959 hasRelatedWork W2333941147 @default.
• W2956017959 hasRelatedWork W2579559609 @default.
• W2956017959 hasRelatedWork W2620185099 @default.
• W2956017959 hasRelatedWork W3110274372 @default.
• W2956017959 hasRelatedWork W3209399612 @default.
• W2956017959 hasRelatedWork W4238839429 @default.
• W2956017959 hasRelatedWork W600018093 @default.
• W2956017959 hasRelatedWork W2515063550 @default.
• W2956017959 isParatext "false" @default.
• W2956017959 isRetracted "false" @default.
• W2956017959 magId "2956017959" @default.
• W2956017959 workType "article" @default.