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- W2964756439 abstract "espanolCon Insensatez (2004), Horacio Castellanos Moya nos entrega una novela narrada en primera persona que plantea un ejercicio retorico autoconsciente, donde la lidia diaria con la violencia y el exterminio permite la inscripcion de un yo en permanente refraccion y distorsion. El articulo propone inspeccionar el texto a la luz de la literatura del yo, deslindando, desde el prisma de la teoria literaria, las diversas modulaciones autoficcionales que campean en Insensatez. El proposito principal es mostrar como se materializa la novedosa alianza entre autoficcion y narrativa postestimonial dentro de la novela. Por ello defendemos la pertinencia de este enfoque en apariencia formalista, el cual sin embargo se interseca con el discurso de la memoria y del duelo dentro de la novela: los distintos meandros de la voz narradora proyectada en el texto problematizan la tarea del testimoniante a la vez que la reivindican mediante un reprocesamiento del dolor, pero filtrado por elementos distorsionadores varios. Para demostrarlo se abordaran en particular tres puntos que operan en esa direccion: 1) los recursos especulares que deparan una refraccion del yo y de la realidad representada; 2) los elementos deformadores que acarrean una distorsion en proyeccion ficcional del autor; 3) una degradacion con vocacion carnavalizadora que, desde un plano morfologico-tropologico, domina el texto de Castellanos Moya. EnglishInsensatez (2004) by Horacio Castellanos Moya is a novel narrated in the first person that poses a self-conscious rhetorical exercise. The narrator’s daily encounters with violence and murder give rise to a narrative ego that is in permanent refraction and distortion. This paper examines Castellanos’s text via literature of the self and the field of literary theory. It focuses on the many autofictional turns in Insensatez, which have yet to be studied with reference to post-testimony narrative. The main goal of this paper is to show how this new fusion of autofiction and post-testimony narrative takes shape in the novel. This formalist approach is suitable because it allows for the intersection of memory and grief discourse. The fluctuations of narrative voice in the text problematize the task of the witness, but they also recuperate it by reprocessing victims’ pain, which is filtered through a number of distorting elements. The paper will address three specific areas: 1) mirroring strategies that refract the fictional self and the representation of reality; 2) strategies that distort the fictional projection of the author; and 3) a carnivalesque degradation which, from a rhetorical and morphological point of view, dominates this text by Castellanos Moya." @default.
- W2964756439 created "2019-08-13" @default.
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- W2964756439 date "2019-03-04" @default.
- W2964756439 modified "2023-10-17" @default.
- W2964756439 title "De espejos y distorsiones: formas de la (auto)rrepresentación en Insensatez, de Horacio Castellanos Moya" @default.
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- W2964756439 doi "https://doi.org/10.1080/14682737.2019.1603448" @default.
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