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- W2968842010 abstract "Shakespeare scholars with a wide range of critical investments and methodologies have managed to agree on at least one thing: women do not mattermuch in Richard II. In studies explicitly focused on the play’s politicshistoricisms “old” and new, analyses of political theology-the argument forwomen’s insignificance to political history or theory has been one of omission.Women are almost entirely absent from these readings, appearing at best asallegorical figures for Richard’s faceless suffering subjects.1 Queer readings ofRichard II have illuminated the importance of gender identity and sexualattachments to the play’s politics and reception, but they have limited theirfocus to male identity and sexuality, with the result that the play’s womenappear at most to serve only “to stabilize normativity, to straighten outambiguous desires” (Stanivukovic 2009: 60).2 Rather than take women’sinvisibility for granted, feminist critics have explicitly analyzed the femalecharacters in Richard II, and this analysis has made us aware of the ways inwhich early modern women were systematically excluded from official positions of political influence and agency. Most prominently, Jean Howard andPhyllis Rackin have charged that the strategic marginalization of women inRichard II (indeed, in the entire second tetralogy) helps shape a modern idealof a masculine, affectless public sphere. For these and other feminist scholars,the Duchess of Gloucester, Queen Isabel, and the Duchess of York have noplace in the public world because they put personal feelings and alliancesahead of political investments and calculations.3" @default.
- W2968842010 created "2019-08-22" @default.
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- W2968842010 date "2012-02-07" @default.
- W2968842010 modified "2023-09-24" @default.
- W2968842010 title "Bodies that Matter in Richard II" @default.
- W2968842010 doi "https://doi.org/10.4324/9780203133668-11" @default.
- W2968842010 hasPublicationYear "2012" @default.
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