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- W2977600541 abstract "Creating an artifact in front of public offers an opportunity to involve spectators in the creation process. For example, in a live music concert, audience members can clap, stomp and sing with the musicians to be part of the music piece. Live creation can facilitate collaboration with the spectators. The questions I set out to answer are what does it mean to have liveness in interactive systems to support large-scale hybrid events that involve audience participation. The notion of liveness is subtle in human-computer interaction. In this paper, I revisit the notion of liveness and provide definitions of both live and liveness from the perspective of designing interactive systems. In addition, I discuss why liveness matters in facilitating hybrid events and suggest future research works" @default.
- W2977600541 created "2019-10-10" @default.
- W2977600541 creator A5079197821 @default.
- W2977600541 date "2019-10-06" @default.
- W2977600541 modified "2023-09-27" @default.
- W2977600541 title "Liveness in Interactive Systems." @default.
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- W2977600541 doi "https://doi.org/10.5281/zenodo.1471026" @default.
- W2977600541 hasPublicationYear "2019" @default.
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