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- W2985386939 abstract "As record sales plummeted dramatically over the course of the early 2000s, the recording industrycontinually pointed to illegal file sharing as the major source of its financial crisis. In an effort tostem the flow of downloads, the RIAA began suing individual file sharers for copyright infringement.To many artists, however, downloading was not something to be feared, but to be embraced as apositive form of exposure. In October 2007, the band Radiohead, whose contract had expired withEMI, garnered headlines when they decided to release their latest album, In Rainbows, independentlyas a digital download available through their website on a “pay-what-you-will” basis. In the interviewthat follows, noted new wave and alternative musician David Byrne (born 1952) queries Radioheadfront man Thom Yorke (born 1968) about the band’s decision. While it paid dividends for a grouplike Radiohead with a devoted following (when In Rainbows was eventually released as a physicalcopy three months later in January 2008, it still managed to top the album charts in the US and UK),would such a maneuver benefit a new artist? As Byrne mentions, very little of his own income currentlycomes from record sales; have we entered an era where musicians should now expect to supportthemselves more through avenues such as touring, publishing and licensing?1 One thing is certainthe rise of downloading has emboldened many established artists such as Nine Inch Nails, who likeRadiohead have fled their major label contracts in favor of more flexible and financially rewardingarrangements." @default.
- W2985386939 created "2019-11-22" @default.
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- W2985386939 date "2012-11-27" @default.
- W2985386939 modified "2023-09-23" @default.
- W2985386939 title "“David Byrne and Thom Yorke on the Real Value of Music”" @default.
- W2985386939 doi "https://doi.org/10.4324/9780203086612-76" @default.
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