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- W2989426903 abstract "In 2008, Scottish performance artist Anthony Schrag scaled a column of the classicalportico fronting the Gallery of Modern Art (GoMA) in Glasgow and, then, partwayup, held on to the fluting while extending his legs until his feet reached the adjacentcolumn (Figure 1.1). In this brief but expressive piece, entitled Push,1 Schrag exertsboth a physical and metaphorical pressure on the museum. Through bodily meansPush calls for ethical change in the museum responsive to the needs of contemporarysociety. Schrag explains:It’s an instinctual, responsive piece that came from my frustration at amuseum’s monolithic status within a cultural landscape. It was a symbolicgesture harking back to the myths of Samson, wherein he broke the pillarsof the temple that held him. It was finding a way to both critique and belongwithin those systems, and attempt to add another, tangential pathwaythrough and around the building. My desire is to disrupt expected modes tofind new ways of speaking.2" @default.
- W2989426903 created "2019-11-22" @default.
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- W2989426903 date "2012-05-23" @default.
- W2989426903 modified "2023-09-23" @default.
- W2989426903 title "The contingent nature of the new museum ethics: Janet Marstine" @default.
- W2989426903 doi "https://doi.org/10.4324/9780203815465-10" @default.
- W2989426903 hasPublicationYear "2012" @default.
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