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- W2989602199 abstract "In its widest possible sense… a man's Self is the sum-total of what he can call his; not only his body and his psychic powers, but his clothes and his house, his wife and his children, his ancestors and friends, his reputation and works, his lands and horses, and yacht and bank account. (William James, Principles of Psychology , 1890) Do you know why poetry and philosophy are nothing but dead letter these days? It is because they have severed themselves from life. In Greece, ideas went hand in hand with life; so that the artist's life was already a poetic realization, the philosopher's life a putting into action of his philosophy; in this way, both philosophy and poetry took part in life, instead of remaining unacquainted with each other, philosophy provided food for poetry – and the result was admirably persuasive. Nowadays, beauty no longer acts; action no longer desires to be beautiful; and wisdom works in a sphere apart. (Andre Gide, The Immoralist , 1902) This chapter is concerned with cultural boundaries and their enforcement as binary oppositions in the lives and work of two fin-de-siecle poets. It takes masculinity as its focus, because masculinity's dominant ideological position means that the boundaries which define it are most in need of policing. At the end of the nineteenth century masculinity had become an unstable entity." @default.
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- W2989602199 date "1995-02-02" @default.
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- W2989602199 title "‘A very curious construction’: masculinity and the poetry of A. E. Housman and Oscar Wilde" @default.
- W2989602199 doi "https://doi.org/10.1017/cbo9780511553707.008" @default.
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