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- W2990717376 abstract "Chapter 5 explores how the musicalization of speech undermines the traditional classical soundtrack hierarchy based on the dominance of the spoken word. Using examples from Drake Doremus’s <italic>Breathe In</italic>, Harmony Korine’s <italic>Spring Breakers</italic>, and Shane Carruth’s <italic>Upstream Color</italic>, this chapter asserts that the musical approach to the soundtrack as a whole challenges unwritten laws regarding speech intelligibility and redundancy, replacing the familiar hierarchy with a more fluid relationship in which music and speech alternately come in and out of focus. The case studies demonstrate how narrative information can be conveyed through nonverbal means—<italic>mise-en-scène</italic>, editing, characters’ body language, expressive close-ups—emphasizing musicality as the primary guiding principle of this practice." @default.
- W2990717376 created "2019-12-05" @default.
- W2990717376 creator A5055632124 @default.
- W2990717376 date "2019-11-21" @default.
- W2990717376 modified "2023-09-23" @default.
- W2990717376 title "The Musicalization of Speech and the Breakdown of the Film Soundtrack Hierarchy" @default.
- W2990717376 doi "https://doi.org/10.1093/oso/9780190855314.003.0005" @default.
- W2990717376 hasPublicationYear "2019" @default.
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